Ksitigarbha Bodhisattva Mini Thangka — Artwork Core Only · XTK-142 — XTK-142:8eee339900dd073f017240fe16b79e0a79bf0eec19036b376f12de304023004a
The piece

Thangka Painting · Cotton canvas

Ksitigarbha Bodhisattva Mini Thangka — Artwork Core Only · XTK-142

Catalogue preview · Not available for purchase

Ksitigarbha Bodhisattva · 4.0 × 5.0 cm · xtk-142

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopCairang Dongzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Ksitigarbha Bodhisattva
Referencextk-142
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

Small-format work; keep away from humidity; keep away from water

About this work

Key Selling Points

Ksitigarbha theme, carrying steadfastness, goodwill and lasting companionship

Ksitigarbha's artistic image often brings to mind not retreating easily before difficulty and still being willing, through long days, to hold to one's original intention. As a small cultural artwork, it suits good wishes for holding goodwill, taking responsibility bravely and moving forward steadily.

Khakkhara and jewel together, firmness and softness combined, a meaning worth savoring

The figure holds a khakkhara in one hand and a jewel in the other, his posture peaceful yet firm. The staff adds clarity, action and protection, while the jewel brings a bright, complete and warm visual focus, making the whole figure both dignified and approachable.

Seated on a spirit beast, a lively picture with a protective spirit

The figure sits calmly on the lake-blue beast, which stands with head raised and four legs steady, its orange-yellow mane and vermilion details making it livelier. The figure's calm and the beast's strength balance each other, adding a firm, reliable visual expression full of story.

Fine canopy, crown, necklaces and robe patterns, rewarding traditional coloring

A small picture rich and complete in color, with more cultural feel for display and enjoyment

The vermilion robe, pink clouds, lake-blue beast, blue-green landscape and warm gold canopy form vivid yet harmonious layers. Delicate in form and clear in theme, it suits a study, workbench, reading corner, display cabinet or gift occasion as a small cultural artwork.

Cultural Meaning

Ksitigarbha's artistic image can often be understood as a hope for steadfastness, kind thoughts and responsibility. The seated figure, the steady spirit beast, the bright jewel and the layered clouds seem to remind us: some things in life do not show results right away, but as long as there is direction in the heart and a willingness to do what needs doing bit by bit, time will eventually reveal the meaning of perseverance.

True resolve is not being tough all the time, but still keeping patience and goodwill when facing pressure, responsibility or uncertainty. Be a little more earnest with yourself and a little more understanding with those around you; don't rush to give up when you meet a hard problem, and be willing to listen a little more when there are disagreements. Many seemingly ordinary choices, accumulated day by day, make a person more reliable, peaceful and strong.

The blessing this mini thangka conveys is the wish that there always be gentle goodwill in your heart and a composure not easily shaken; whenever you need to take responsibility, may you face it calmly, and on every long road, may you never forget the people and things you first cherished.

May you hold goodwill and your steps be firm;

may you keep your original intention and carry responsibility with composure;

may the long road have light and the years be steady and abundant.

Suitable For

People carrying responsibility, working quietly or persevering for the long term

Carrying wishes to steady their spirit, trust accumulation and move steadily forward. May they not doubt their efforts because of a momentary difficulty, and slowly gain more solid growth through every earnest perseverance.

People going through a turning point or pressure, or needing to regain their strength

Expressing a warm wish to guard the heart, settle the emotions and face reality bravely. In a complex stage, may they not rush to be pushed along by the outside pace, first do what is in front of them well, then walk out their own direction step by step.

Family and friends who value family, friendship and long companionship

Collectors who love the Ksitigarbha theme and thangka painting

Yourself

Display it in your study, on your workbench, in a reading corner or personal collection space as a reminder not to be anxious just because the road is still long. First do well what you can do today and keep the goodwill in your heart, and time will gradually turn every bit of earnestness and perseverance into your own strength.

Display and Care Suggestions

Avoid prolonged direct sunlight to protect the pigments and color layers.

Keep the environment dry and clean, away from damp, dust and high heat or direct sun.

Keep it away from grease, perfume, cleaners and other chemicals, and avoid direct contact with the painted surface.

Display, store and enjoy it in a tidy, respectful way to keep the work complete and beautiful.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopCairang Dongzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Ksitigarbha Bodhisattva
Referencextk-142
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Ksitigarbha Bodhisattva Mini Thangka — Artwork Core Only · XTK-142