Black Jambhala Mini Thangka — Artwork Core Only · XTK-114 — XTK-114:54b478d4bce3b32ebfb3b6a57f1e73f6b0ab047d3cbe0b822ea0e5ba6a089ce8
The piece

Thangka Painting · Cotton canvas

Black Jambhala Mini Thangka — Artwork Core Only · XTK-114

Catalogue preview · Not available for purchase

Black Jambhala · 4.0 × 5.0 cm · xtk-114

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopCairang Dongzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Black Jambhala
Referencextk-114
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Note: Black Jambhala is a common wealth-protector figure in Tibetan Buddhist art; the wealth-holding yaksha (Nujin Jidebu, the Treasure Yaksha) also appears in related compositions. Body color, implements, posture, the figure beneath the feet, crown and background details may differ across lineages and thangka works. The following focuses on thangka art, cultural meaning and gift blessings, and makes no claims of religious efficacy.

Key Selling Points

Black Jambhala theme, showing a spirit of courage that breaks obstacles

Black Jambhala's image often brings to mind decisiveness, courage, protection and firm action, fitting for wishes of not retreating easily in the face of challenges and moving forward steadily.

Treading the wealth-holding yaksha, a vivid thematic detail

The figure beneath his feet is the wealth-holding yaksha, also called Nujin Jidebu or the Treasure Yaksha, making the composition more recognizable and narrative.

A pictorial language of subduing obstacles, full of power

The composition of treading the Treasure Yaksha can often be understood as an artistic expression of subduing inner and outer obstacles and breaking self-clinging and fixation, adding a firm, powerful spiritual symbol to the picture.

Deep blue figure and gold-red flames, strong visual contrast

The deep blue body and golden yellow, vermilion and orange-red background set each other off, rich and vivid, making the subject more majestic and striking.

Layers of flames and clouds, details worth admiring in a tiny space

From the crown jewels, necklaces and garment folds to the rolling flames, clouds and floral patterns, the picture is richly layered, with the decorative beauty of traditional thangka.

Cultural Meaning

The picture of Black Jambhala treading the wealth-holding yaksha can be understood as an artistic expression of facing obstacles head-on. The wealth-holding yaksha is also called Nujin Jidebu or the Treasure Yaksha; the composition of subduing him is not simply about ferocity, but also conveys reflection on self-clinging, greed, hesitation and all kinds of inner troubles.

Difficulties in life and practice sometimes come from the outside environment, and sometimes from inner fear, procrastination and attachment. The deep blue figure, blazing flames and the figure beneath his feet together form a vivid sense of strength, reminding us to discern direction with clear judgment and cross hardships step by step with firm action.

The blessing this mini thangka conveys is the wish that, facing pressure and change, one is not trapped by momentary difficulties, slowly lets go of needless depletion, and keeps the courage to go forward, a steady mind and solid steps.

May the veils of confusion be broken and your mind be clear and firm;

may you cross hardships and your path gradually gain direction;

may courage always remain and the road ahead be composed and open.

Suitable For

People starting a business, going through a transition or in a hard push at work

Carrying wishes for firm action and breaking through obstacles; may they stay clear-headed and resilient through challenges.

Friends going through pressure, choices or a low point

Expressing a sincere encouragement not to fear difficulty, to slowly sort out the heart and keep going.

Family and friends starting a new job, project or stage of life

May they meet change with courage, keep their rhythm on the new path and accumulate step by step.

Collectors who love thangka painting, protector themes and Tibetan aesthetics

Black Jambhala, the wealth-holding yaksha, the flame halo and intricate ornament form a vivid composition, suited to close, quiet viewing and collecting.

Yourself

Keep it in your study, on your workbench or in a personal collection space as a reminder to let go of excessive attachment and face life's lessons with composure and action.

Display and Care Suggestions

Keep the environment dry and clean, away from damp, grease and chemicals such as perfume and cleaners.

Buddhist-art themes are best displayed, stored and enjoyed in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopCairang Dongzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Black Jambhala
Referencextk-114
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Gold Thangka with Color Craftsmanship

Gold thangka with color uses a pure gold ground as its core visual language. Gold leaf or gold powder is laid over the entire canvas ground, giving the whole a warm, dignified gold tone; once the gold layer is stable, it is repeatedly burnished with an agate tool, the traditional "gold polishing" technique, making the gold surface smoother and finer and giving it a subtle, flowing sheen in the light.

Figures and patterns are usually outlined in cinnabar, a common traditional approach for gold thangkas. Gold of different depths is also used to handle the contours, garment folds, halos, ritual implements and decorative details separately, so the pure gold picture still has clear layers and rich detail.

"With color" does not mean large areas of color. The painter applies natural mineral pigments sparingly only to key areas, for example:

  • Realgar: mostly for the warm yellow tone of the deity's body
  • Cinnabar: for robes, ornaments or local red
  • Malachite, lapis lazuli: for local blue-green and blue ornament
  • Conch-shell white: for highlighting facial features, garment folds and details

Mineral colors are mainly filled in on the deity's body, garment folds, lotuses and some ritual implements, while the background always keeps a large area of pure gold ground. The final result is an artistic effect of "gold as the main body, color as support; splendid and dignified from afar, rich in detail up close."

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Black Jambhala Mini Thangka — Artwork Core Only · XTK-114