Yellow Jambhala Mini Thangka — Artwork Core Only · XTK-108 — XTK-108:90893769d3d752dd42c4a236cf87ef1fafd5905df919fb4b76cf175f468b5fba
The piece

Thangka Painting · Cotton canvas

Yellow Jambhala Mini Thangka — Artwork Core Only · XTK-108

Catalogue preview · Not available for purchase

Yellow Jambhala · 4.0 × 5.0 cm · xtk-108

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopCairang Dongzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Yellow Jambhala
Referencextk-108
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Note: Yellow Jambhala is a common wealth-protector figure in Tibetan Buddhist art, and the cintamani fruit (wish-fulfilling fruit) and jewel-spitting mongoose are common attributes in related statuary. Body color, posture, implements, crown and background details may differ across lineages and thangka works. The following focuses on thangka art, cultural meaning and gift blessings, and makes no claims of religious efficacy.

Key Selling Points

Yellow Jambhala theme, carrying abundance and an enterprising spirit

Yellow Jambhala's image is often linked with the cultural meanings of plenty, generosity, diligent accumulation and using resources well, fitting for wishes of steady progress at work and a full life.

The cintamani fruit in his left hand, carrying wishes for fulfillment

The cintamani fruit in his left hand, also called the wish-fulfilling fruit, adds traditional imagery of harmony, beauty and abundance to the picture.

The jewel-spitting mongoose in his right hand, a vivid and lively form

The jewel-spitting mongoose is one of the most recognizable elements of Yellow Jambhala's image, and with the deity's ornate jewels it makes the work more vivid and rich.

Golden yellow figure with rich colors, luxurious and eye-catching

The golden yellow body and vermilion, emerald green, lake blue and other colors set each other off, making the whole picture bright and full, with the decorative beauty of traditional thangka.

Jeweled crown, head halo and intricate patterns, details worth admiring in a tiny space

From the crown jewels, necklaces and garment folds to the round head halo and floral and cloud patterns, layers of detail set off the subject, ornate yet orderly.

Cultural Meaning

The cultural mood Yellow Jambhala conveys is not only about good hopes for an abundant life, but also includes the life wisdom of diligent work, cherishing what you have, managing well and being happy to share. True abundance comes from actions accumulated day by day, and from a steady, clear order within.

The cintamani fruit in the picture is often understood as a symbol of fulfillment, wishes granted and good aspirations; the jewel-spitting mongoose adds visual associations of plenty, accumulation and harvest. Appearing together, they seem to remind us: hold a vision in your heart, and carry it out slowly through solid action.

Whether you are starting a business, planning your life or at a turning point, you can feel a bright, firm blessing from this thangka: cherish what you have now, keep a long-term view, and let life gradually become abundant through continual accumulation.

May what you seek be fulfilled and all you do bear fruit;

may you accumulate diligently and your life be abundant and orderly;

may your heart be assured and the road ahead open up with composure.

Suitable For

People starting a business, opening a shop or beginning a new stage of their career

Symbolizing steady accumulation and an enterprising spirit, wishing them assured progress on their new path.

Friends who work hard and plan their lives carefully

Expressing recognition of their effort and perseverance, and wishing them a fuller, more orderly life.

Family and friends celebrating a move, a new home or a business opening

As an art ornament rich in traditional culture, it adds warm, ornate decoration to a space.

Collectors who love thangka art and Tibetan aesthetics

Yellow Jambhala, the cintamani fruit, the jewel-spitting mongoose, the crown and intricate patterns are richly detailed, suited to close, quiet viewing and collecting.

Yourself

Keep it in your study, on your workbench or in a personal collection space as a reminder to accumulate steadily, cherish what you have and keep a bright, firm mind.

Display and Care Suggestions

Keep the environment dry and clean, away from damp, grease and chemicals such as perfume and cleaners.

Buddhist-art themes are best displayed, stored and enjoyed in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopCairang Dongzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Yellow Jambhala
Referencextk-108
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Gold Thangka with Color Craftsmanship

Gold thangka with color uses a pure gold ground as its core visual language. Gold leaf or gold powder is laid over the entire canvas ground, giving the whole a warm, dignified gold tone; once the gold layer is stable, it is repeatedly burnished with an agate tool, the traditional "gold polishing" technique, making the gold surface smoother and finer and giving it a subtle, flowing sheen in the light.

Figures and patterns are usually outlined in cinnabar, a common traditional approach for gold thangkas. Gold of different depths is also used to handle the contours, garment folds, halos, ritual implements and decorative details separately, so the pure gold picture still has clear layers and rich detail.

"With color" does not mean large areas of color. The painter applies natural mineral pigments sparingly only to key areas, for example:

  • Realgar: mostly for the warm yellow tone of the deity's body
  • Cinnabar: for robes, ornaments or local red
  • Malachite, lapis lazuli: for local blue-green and blue ornament
  • Conch-shell white: for highlighting facial features, garment folds and details

Mineral colors are mainly filled in on the deity's body, garment folds, lotuses and some ritual implements, while the background always keeps a large area of pure gold ground. The final result is an artistic effect of "gold as the main body, color as support; splendid and dignified from afar, rich in detail up close."

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Yellow Jambhala Mini Thangka — Artwork Core Only · XTK-108