Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-074 — XTK-074:91b37a7a180d05884110a7c4476ef1e21b7ba5483151bb7d2679f83ecda2cec3
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-074

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-074

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopJixian
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-074
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, carrying vows put into practice and steady diligence

Samantabhadra's artistic image often brings to mind a spirit of carrying out the wishes of the heart in daily life, earnestly finishing what is at hand and moving forward continually with patience.

A white elephant carrying the figure, steady, powerful and highly recognizable

The white elephant carries the bodhisattva seated on a lotus, calm yet powerful in bearing, the work's most representative visual element; it can often be understood as an artistic expression of steadiness, resilience, groundedness and tireless progress.

Holding a lotus with a scripture motif, adding gentle details of learning

The lotus, scripture and upright mudra echo one another, so that besides ornate dignity the picture also shows a visual charm of quiet study, nurturing the heart and accumulating insight.

A white figure against gold, red, blue and green, elegant yet rich colors

The fresh white body reflects golden yellow, vermilion, lake blue and emerald green, highlighting the subject's dignified calm and giving the tiny picture vivid layers worth close viewing.

Halo, clouds, flowers, leaves and waves unfolding in layers, rich and lasting detail

From the crown jewels, necklaces and garment folds to the round halo, lotuses, clouds, brocade, waves and jewel patterns, the picture is intricate yet orderly, with the decorative beauty of traditional thangka.

Cultural Meaning

Samantabhadra's artistic image can often be understood as a cultural expression of aspiration joined with action. Many ideals are realized not by a moment's enthusiasm, but by whether one is willing to carry the direction of the heart into day-after-day choices, learning and perseverance. The white elephant carrying the figure, with its calm, steady bearing, adds an assured forward strength to the whole work.

What the white elephant shows is not a hurry to arrive, but the patience to steady one's rhythm and follow through step by step. Facing long-term goals, people inevitably experience hesitation and pressure; what is truly precious is holding to the original intention amid change and, before seeing results, continuing to carefully finish every small thing before you.

The blessing this mini thangka conveys is the wish that on the roads of life, study and career one can hold a fine vision while having down-to-earth drive; may you not stop because of a momentary setback, and slowly walk toward a more harmonious, open future through continual accumulation.

May the wishes in your heart all have the strength to be put into practice;

may your steps be steady and your efforts gradually grow abundant;

may blessings accompany you and the road ahead be complete and open.

Suitable For

People cultivating long-term goals

Carrying wishes for holding to the original intention, patient accumulation and steady progress; may they not rush for success, and draw near to their hopes through everyday earnestness.

Family and friends starting a business, a project or a new stage of life

Expressing good wishes for solid progress, a steady rhythm and things getting better; may they walk firmly and calmly from a new starting point.

Friends in a period of accumulation or transition

May they not be anxious about temporary uncertainty, focus on what can be done now, and open new possibilities through continual action.

Collectors who love the Samantabhadra theme and thangka painting

The white elephant, lotus, scripture, halo, clouds and waves form a clear composition, rich in color and delicate in detail, suited to close, quiet viewing and collecting.

Yourself

Display it in your study, on your workbench or in a personal collection space as a reminder to turn wishes into concrete action and walk through every process with a steady mind.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopJixian
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-074
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-074