Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-073 — XTK-073:e1ad949e14db5f36cf5851d045e58a83aeac7d31ef24b0130a525f2aa0a3ffc3
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-073

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-073

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopJixian
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-073
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, carrying steady practice of vows and an enterprising drive toward fulfillment

Samantabhadra's artistic image often brings to mind a spirit of turning the wishes of the heart into everyday action, progressing steadily and continually improving oneself.

A white elephant carrying the figure, a dignified, steady and vivid composition

The white elephant carries the bodhisattva with a calm yet powerful bearing, the work's most recognizable visual element; it can often be understood as an artistic expression of being grounded, steady, resilient and continually moving forward.

Lotus seat and waves reflecting each other, delicate and abundant layers

A lotus seat blooms beneath the elephant, and the waves, jewels and offering patterns unfold in layers around it, giving the picture a rich rhythm from top to bottom with details worth savoring up close.

A white figure against a gold-red halo, an elegant, eye-catching subject

The fresh white body reflects the rich golden yellow, vermilion, lake blue and emerald green, showing the figure's dignity while giving the whole more layers and splendor.

Halo, clouds, flowers and leaves interwoven, rich traditional thangka ornament

From the crown jewels, necklaces and garment folds to the round halo, clouds, flowers, leaves, rocks and waves, the picture is intricate yet orderly, showing a fine, full traditional decorative style.

Cultural Meaning

Samantabhadra's artistic image can often be understood as a cultural expression of aspiration joined with action. Having ideals in the heart matters, but what truly makes the road gradually clear is often day-after-day follow-through, perseverance and practice. The white elephant carrying the figure, moving steadily forward, adds a calm, assured character to the whole work.

The strength the white elephant shows is not an urgent forward edge, but a steadiness that neither panics nor retreats. It seems to remind us: when facing long-term goals, there is no need to worry about momentary progress; as long as you hold your inner direction and carefully finish the small things before you, many wishes that seem far away will slowly draw closer step by step.

The blessing this mini thangka conveys is the wish that in life and work one has both a fine vision and the patience to push it forward solidly; may your steps be steady and your intentions clear, and may you reap your own fulfillment and openness through continual action.

May every wish find a response and every action build up;

may your heart be assured and your steps steady as you move forward;

may blessings accompany you and the road ahead be harmonious and open.

Suitable For

People cultivating long-term goals

Carrying wishes for holding to the original intention, steady follow-through and eventual success; may they not rush, and walk toward what their hearts hope for with patience and action.

Family and friends starting a business, a project or a new stage of life

Expressing good wishes for solid progress, a steady rhythm and things getting better; may they walk firmly and calmly from their new starting point.

Friends in a period of accumulation or transition

May they not be anxious about present uncertainty, focus on what can be done now, and open new possibilities through continual accumulation.

Collectors who love the Samantabhadra theme and thangka painting

The white elephant, lotus seat, halo, clouds and waves form a complete composition, vivid in color and rich in decorative detail, suited to close, quiet viewing and collecting.

Yourself

Display it in your study, on your workbench or in a personal collection space as a reminder to turn your wishes into daily action and walk through every process with a steady mind.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopJixian
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-073
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-073