Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-072 — XTK-072:29edd1078efedcd340b5cd0968cb6980ecbab0c8e8aa410b8f07ea62684d30d1
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-072

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-072

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopHuajian Dangzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-072
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, carrying the intention of vows and deeds going together

The picture of the figure seated on a white elephant can often be understood as an artistic expression of holding good wishes, practicing solidly and moving steadily forward.

A white elephant supporting the lotus seat, a highly recognizable theme

The white elephant, lotus seat and seated figure echo one another, making the composition complete and settled and adding a sense of narrative.

Black-and-gold gold-thread patterns, steady, ornate and lasting

The deep black ground sets off the gold linework, clearly layering the figure, the elephant's body and the background patterns with a traditional brocade-like texture.

Round halo and layered lotus petals, a dignified and orderly composition

The halo gathers the visual center and the lotus petals unfold in layers, giving the small picture both stability and rich layering.

Fine floral and cloud patterns, rich detail in a tiny space

From the crown, necklaces and garment folds to the twining flowers, leaves and clouds, fine outlining can be seen throughout, suited to close, quiet viewing.

Cultural Meaning

In Buddhist art the Samantabhadra theme often brings to mind aspiration, practice and lasting perseverance. In the picture a white elephant supports the lotus seat and the figure sits calmly; his steady, peaceful posture presents an artistic mood of carrying out one's inner direction in daily action.

The black-and-gold palette makes the picture calmer and more profound, and the gold lines unfold slowly on the dark background, like a strength that does not rush to show itself but keeps accumulating. Many goals worth reaching do not rely on a momentary burst of energy, but are slowly completed with patience and resilience once the direction is clear.

The blessing this thangka art piece conveys is the wish that in life, study and work one keeps sincere aspirations and also has the patience to persevere step by step; even facing change and busyness, one can keep a steady rhythm and move calmly toward where the heart is headed.

May you hold good wishes in your heart and all you think be put into practice;

may your steps be steady and your efforts gradually bear fruit;

may you be composed and firm, and the road ahead gentle and open.

Suitable For

People persevering in study, work or long-term goals

Carrying good wishes for being unhurried, continually accumulating and moving forward solidly.

Family and friends starting a new plan or project

May they keep a steady rhythm once their goals are clear, and slowly open a new chapter with patience and action.

Friends going through busyness and pressure

Expressing gentle care; may they regain inner calm and order amid hectic daily life.

Collectors who love black-and-gold aesthetics, thangka ornament and bodhisattva themes

The white elephant, lotus seat, halo and gold-thread floral patterns are richly layered, worth close viewing and collecting.

Yourself

Display it in your study, on your workbench or in a personal collection space as a reminder that your heart has wishes and your actions have a path to follow, and to walk every step steadily.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Handle it gently to prevent bending, scratches and knocks to the ornaments.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopHuajian Dangzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-072
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Black-and-Gold Thangka Craftsmanship

Black-and-gold thangka uses a deep black ground to create a dignified, solemn and richly layered visual effect. The ground is painted mainly with natural mineral carbon black, and gold lines outline the main figures, garment patterns, ritual implements and background details.

Gold materials of different textures are usually used alternately: coarse gold to emphasize contours, decorative patterns and main structures; fine gold to render subtler lines, patterns and local layers. Gold of different purities can be chosen as the craft requires, such as 74 gold and 98 gold, giving rich yet restrained changes of luster on the quiet black ground.

Black-and-gold thangka does not spread large areas of color. Apart from the black ground and gold lines, only the facial features, ritual implements or key patterns receive small touches of natural mineral pigments such as cinnabar, malachite green and azurite blue. Color serves only to brighten details and add layers; the core language remains "black ground, gold lines, local mineral coloring."

This craft gives the work a subtle flowing gold quality under different lighting: dignified and clean from afar, and up close revealing fine, intricate linework and mineral color details.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-072