Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-071 — XTK-071:6fac1692e9e496c8d57cbbe858db4f387d2cbbe07a1cfe667871fae95fc932d7
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-071

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-071

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopCairang Dongzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-071
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, symbolizing aspiration and practice

Samantabhadra is often linked with "vows and practice," fitting for wishes of holding kindness in the heart, firm goals and putting ideals into action.

Seated on a white elephant, symbolizing steadiness and resilience

Both hands holding a lotus stem, a serene and dignified posture

The deity holds a lotus stem with both hands before his chest, with a peaceful expression, conveying inner focus, pure aspiration and calm composure.

Blue-green halo and gold scrolling foliage, an ornate and finely detailed picture

The blue-green halo at the center, plume-wing patterns on both sides and gold scrolling foliage on the dark ground set each other off, making the subject stand out and adding rich decorative beauty.

Regong hand-painted mini thangka, detail condensed into a tiny space

The crown jewels, garment folds, necklaces, the elephant's outline, the layers of lotus petals and the background patterns are all finely rendered, suited to slow, close viewing.

Cultural Meaning

The core meaning Samantabhadra conveys lies in the mutual echo of "vow" and "practice": having a direction worth holding onto in your heart, and being willing to walk toward it step by step with calm, steady action.

The white elephant resting calmly on the lotus platform in the picture does not appear hurried, yet it holds a steady strength. It seems to remind us that not every goal in life needs to be reached in a rush; what lasts the longest is often perseverance rooted in a settled heart and firm footing.

The deity holds a lotus stem, with the halo and gold patterns unfolding in layers around him, creating a pure, harmonious atmosphere. Whether facing study, work or life plans, an aspiration need not be so grand that it causes anxiety; it can be real and clear, and slowly carried out in everyday choices.

The blessing this mini thangka conveys can be summed up as:

May you hold your wishes in your heart and gain through your deeds;

may your steps be steady and your heart at peace;

may your wishes gradually come true day by day.

Suitable For

People working long-term and accumulating steadily

Symbolizing being unhurried and committed; may every bit of their perseverance slowly blossom and bear fruit.

Friends starting a new plan or a new stage of life

Expressing a wish for a clear direction, a steady process and a composed road ahead.

People hoping to build inner stability

The calm, carrying image of the white elephant is fitting for wishes of resting in the present, less anxiety and keeping resilience.

Collectors who love thangka painting, Buddhist culture and traditional art

The work features Samantabhadra and the white elephant, with an ornate, finely detailed gold scrolling background and strong artistic appeal.

Yourself

Keep it in your study, workspace or personal collection as a reminder to hold to your original intention and answer the wishes in your heart with steady, sustained action.

Display and Care Suggestions

Keep the environment dry and clean, away from damp, grease and chemicals such as perfume and cleaners.

Buddhist-art themes are best displayed, stored and enjoyed in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopCairang Dongzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-071
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Black-and-Gold Thangka with Color Craftsmanship

Black-and-gold thangka with color uses a deep black ground and gold linework as its core visual language, giving an overall artistic character that is solemn, profound and luxurious. After the canvas ground is prepared, it is first glazed repeatedly with black mineral pigment or traditional ink, forming an even, steady and layered black surface; once the ground is completely stable, the figures, patterns and decorative details are painted.

The main subject is usually outlined in gold powder, mud gold or gold leaf. The painter uses gold of different depths, such as deep gold and light gold, to carefully draw the Buddha's contours, garment folds, halo, lotus petals, auspicious clouds, ritual implements and all kinds of patterns. Set against the black background, the gold lines are especially clear and bright, giving the figures' proportions, expressions and details more dignity and dimension.

The "with color" part is mainly small accents of mineral color, and does not override the black-and-gold relationship at the heart of black-and-gold thangka. Common coloring includes:

Cinnabar: for garments, lotuses, flame patterns, jewels and local red ornament;

Realgar, yellow ochre, red ochre: for the warm tones of the deity's body, robes, ritual implements and local transitions;

Malachite / mineral green: for head halos, garment folds, lotus leaves or local blue-green patterns;

Lapis lazuli / azurite blue: for crowns, sky patterns, garments and local blue ornament;

Conch-shell white: for brightening facial features, pearls, garment-fold highlights and finishing details.

After coloring, the painter continues to re-trace the edges in gold and applies gold outlining, layered gold or detail highlights in key areas, so the colors and gold lines blend naturally. Some gold areas also undergo traditional gold polishing and burnishing to enhance the fineness and layered luster of the gold, while the black background keeps a relatively quiet, subtle texture that brings out the gold lines and painted details.

In the end, black-and-gold thangka with color achieves a visual effect of "black as the ground, gold as the bones, color as the rhythm": from afar, the strong black-gold contrast is dignified and mysterious; up close, you can see dense gold lines, rich mineral colors and hand-painted patterns, combining the dignity of traditional religious art with collectible and display value.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-071