Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-069 — XTK-069:703727937d7390541116e5a1d83660041f0fced81b80cc9fc224a1923bca7f34
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-069

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-069

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopXiuba
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-069
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, carrying aspiration, action and long-term accumulation

Samantabhadra's artistic image often brings to mind the inner qualities of sincere aspiration, steady practice and keeping one's feet on the ground. It suits good wishes for holding to one's original intention, living earnestly and achieving goals step by step.

A white elephant carrying the figure, symbolizing a steady, grounded way of moving forward

The white elephant strides forward with head raised, its body warm yet firm, echoing the figure's calm seated posture. Movement and stillness set each other off, giving the picture a visual charm of being neither hasty nor frivolous, and walking every step steadily.

Accompanied by lotuses, adding elegant, harmonious layers of detail

Lotuses bloom at the figure's side, their pink-white petals reflecting the vermilion, golden yellow and blue-green garments, making the picture, beyond its dignity, gentler, clearer and full of life.

A light-colored figure against red, gold, blue and green, bright, ornate and rewarding

The warm body forms a rich warm-cool contrast with the gold-red halo, blue-green clouds and lake-blue water patterns, with a prominent subject and clear layers. Whether viewing pattern details up close or the overall display from afar, the visual effect is vivid and harmonious.

Clouds, flames, lotuses and waves interwoven, rich traditional ornament

From the crown jewels, necklaces and garment folds to the halo, clouds, flowers, leaves, waves and flame patterns, the elements are abundant yet uncluttered, suited to appreciating the fine beauty of linework, color and pattern in a hand-painted thangka.

Cultural Meaning

Samantabhadra's artistic image can often be understood as a visual expression of aspiration accompanied by action. People often hold many hopes: to learn a new skill, complete a long-term plan, take good care of family, or become a more composed and reliable self. What slowly brings wishes closer to reality is often not a moment's enthusiasm but day-after-day earnestness and perseverance.

The white elephant in the picture, gentle and steady, seems to suggest that moving forward need not always be spectacular; what matters is being able to keep walking solidly once the direction is clear. When meeting difficulty, don't write yourself off over a momentary setback; when progress is slow, keep patience and finish the small step in front of you.

Lotuses and clouds surround the picture, adding a soft, elegant undertone to this resolve. The blessing this mini thangka conveys is the wish that you have both the love and the distant goal in your heart and the patience and action to carry them into daily life; may every bit of kindness and every effort slowly grow over time and eventually carry you toward a wider road ahead.

May your wishes not be in vain and every step find a response;

may you hold warmth in your heart and act with firm composure;

may small things accumulate into great ones and the road ahead gradually open.

Suitable For

People persevering with long-term goals or earnestly improving themselves

Carrying wishes for not forgetting the original intention, steady accumulation and solid progress; may they not be anxious about slow progress and reap their own growth in each day's earnestness.

Family and friends starting a new job, a new life or a new plan

Expressing warm encouragement to be down-to-earth with vows and deeds together; may they have passion and ideals in the new stage, and the strength to push forward steadily and keep following through.

Friends who value family, friendship and sincere relationships

The gentle character of the white elephant and lotus suits conveying goodwill, tolerance and protection; may they, while caring for others and building their lives, not forget to care for themselves.

Collectors who love the Samantabhadra theme and thangka painting

The white elephant, lotuses, halo, clouds, crown, necklaces and water patterns are complete and rich, with fresh, ornate colors and fine, lively details, suited to close, quiet viewing and collecting.

Yourself

Display it in your study, on your workbench, in a reading corner or personal collection space as a reminder to turn grand wishes into small things you can finish each day, and to slowly become who you want to be through unhurried perseverance.

Display and Care Suggestions

Keep the environment dry and clean, away from damp, dust and high heat or direct sun.

Keep it away from grease, perfume, cleaners and other chemicals, and avoid direct contact with the painted surface.

Display, store and enjoy it in a tidy, respectful way to keep the work complete and beautiful.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopXiuba
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-069
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-069