Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-068 — XTK-068:8cd749236f10e974dec3a6777ce0506b378c983a4fb369a941505cda83c63d73
The piece

Thangka Painting · Cotton canvas

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-068

Catalogue preview · Not available for purchase

Samantabhadra Bodhisattva · 4.0 × 5.0 cm · xtk-068

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopCairang Dongzhi
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-068
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Key Selling Points

Samantabhadra theme, symbolizing vows and practice

The cultural spirit Samantabhadra represents is often linked with making vows, putting them into practice, persevering and accomplishing good deeds, fitting for wishes of firm aspiration and smooth progress.

Riding an elephant is Samantabhadra's most recognizable iconographic feature. The white elephant can represent steadiness, resilience and the capacity to carry, conveying the strength to fulfill one's original aspiration step by step, undaunted by a long road.

Lotus, halo and auspicious clouds, a fresh and dignified picture

The deity holds a lotus and sits on a lotus seat, with clouds, flowers and leaves unfolding in layers around him, creating a pure, peaceful and lively atmosphere.

Clouds and water reflecting each other, balancing movement and stillness

Below, water patterns roll as the white elephant strides steadily; above, clouds stretch out and the bodhisattva sits calmly, giving the work both a sense of forward motion and a calm, harmonious spirit.

Regong hand-painted mini thangka, rich detail in a tiny space

From the crown jewels, garment folds and necklaces to the elephant's ornaments, lotus petals, clouds and water patterns, everything is rendered with fine linework and rich color, worth viewing up close.

Cultural Meaning

The spirit of "vows and practice" Samantabhadra conveys can be understood as having a beautiful direction in your heart and being willing to carry it out in day-to-day action. Truly important wishes do not stay only in the heart; they gradually become reality through every earnest choice and every steady step.

The white elephant striding steadily in the picture symbolizes perseverance that is neither hasty nor retreating; the bodhisattva seated on it conveys the inner state of staying peaceful in action and holding to your original aspiration amid change. Whether in study, work, business or life's long-term goals, this assurance of "an aspiration in the heart and a road beneath the feet" is needed.

The lotus, clouds and water together form a pure, flowing picture, as if reminding us: the road ahead may not always be smooth, but as long as the aspiration is clear and the steps are steady, strength accumulates over time and you can reach wider places.

The blessing this mini thangka conveys can be summed up as:

May there be an aspiration in your heart and a road beneath your feet;

may your actions have direction and your steps be steady;

may your wishes gradually come true, with merit and wisdom following you.

Suitable For

People working toward a goal

Symbolizing firm aspiration and perseverance; may they reap their own growth and results through long accumulation.

Friends starting a business, going through a transition or advancing a business plan

Expressing a sincere wish for a clear direction, steady action and continual breakthroughs.

People about to travel far, go on to further study or start a new stage

The image of the white elephant moving forward is fitting for wishes of a steady journey, a broad future and smooth progress.

Collectors who love thangka painting, Buddhist culture and traditional art

Samantabhadra riding an elephant is a classic theme, with bright colors and rich cloud-and-water details, suited to quiet admiration and collecting.

Yourself

Keep it in your study, on your workbench or in a personal collection space as a reminder not to forget your original intention and to turn the wishes in your heart into solid action.

Display and Care Suggestions

Keep the environment dry and clean, away from damp, grease and chemicals such as perfume and cleaners.

Buddhist-art themes are best displayed, stored and enjoyed in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopCairang Dongzhi
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Samantabhadra Bodhisattva
Referencextk-068
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Samantabhadra Bodhisattva Mini Thangka — Artwork Core Only · XTK-068