Vairocana Buddha Mini Thangka — Artwork Core Only · XTK-055 — XTK-055:11fa307243d667b774789047dbf7317622212e5af98998bed2adceae491e0dee
The piece

Thangka Painting · Cotton canvas

Vairocana Buddha Mini Thangka — Artwork Core Only · XTK-055

Catalogue preview · Not available for purchase

Vairocana Buddha · 4.0 × 5.0 cm · xtk-055

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopJixian
OriginRegong / Tongren County, Huangnan Prefecture
Figure Vairocana Buddha
Referencextk-055
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Note: Vairocana is a common Tathagata theme in Buddhist art, holding an especially important place in Vajrayana art. The number of faces, body color, mudras, crown, implements, posture and background details may differ across lineages and thangka works. The following focuses on thangka art, cultural meaning and gift blessings, and makes no claims of religious efficacy.

Key Selling Points

Vairocana theme, presenting an artistic mood of harmonious light

Vairocana sits on a lotus with a full halo, often bringing to mind a spirit of clarity, vastness, stability and tolerance, adding a dignified yet peaceful cultural atmosphere to a space.

A four-faced form, a highly recognizable picture

The figure is shown with four faces, front, back, left and right; the front and side faces reflect each other and the rear face is drawn alongside on the right, a distinctive feature of this work. The multi-faced composition heightens the picture's dignity and visual layers, and conveys the artistic charm of contemplating from every direction, complete and unobstructed.

A mudra before the abdomen, a steady posture that anchors the visual center

The figure's hands form a mudra before the abdomen, simple and upright in line, creating a settled center amid the abundant floral and cloud patterns and giving a viewing feeling of focus, tranquility and inner assurance.

A lustrous white figure against a gold-red halo, fresh yet dignified

The lustrous white body stands out against the full golden yellow, vermilion and orange-red halo, and with lake-blue garments, emerald green landscape, pink-white flowers and deep blue patterns, the overall colors are vivid and rich, richly layered within a tiny space.

Flowers, clouds, landscape, waves and lotus seat laid out, lasting detail

Cultural Meaning

Vairocana's artistic image can often be understood as a visual expression of light, wisdom, harmony and resting in one's true heart. The four-faced composition makes the figure seem to contemplate quietly from every direction; the mudra before the abdomen, the full wheel of light and the steady lotus seat together form a calm, complete pictorial language, bringing to mind a little more understanding in viewing people and events, and a little more clarity in facing choices.

In life we are easily led by a single immediate gain or loss, emotion or judgment. The four-faced figure and the flowers, clouds, landscape and waves unfolding in layers seem to remind us to widen our view: keep balance amid change, understand what matters in different situations, and respond to life with a more composed and complete mind.

The blessing this mini thangka conveys is the wish that, amid complexity and ups and downs, one can still keep inner brightness and stability; may you see more possibilities, hold your own rhythm, and gradually move toward clarity, breadth and completeness with every choice.

May your heart be like the sun's disc, clear and warm;

may your vision be broad and you meet all things with composure;

may wisdom follow you and the years be steady and bright.

Suitable For

People facing an important choice or a turning point in life

Carrying wishes for a broad view, clear judgment and inner calm; may they see their direction in a complex situation and make the choice that suits them with composure.

People hoping to improve focus and inner stability

Through the artistic image of a full halo, a figure seated on a lotus and four faces, conveying a wish that they rest in their hearts, waver less and keep a clear rhythm.

Family and friends moving house, starting a new job or a new stage

Whether decorating a new home, starting a new job, further study or setting out in life, it wishes them an open mind, smooth progress and gradually brighter days.

Collectors who love Vajrayana themes and thangka painting

Vairocana's four faces, the mudra before the abdomen, full halo, flowers and clouds, landscape and waves and multicolored lotus throne form a vivid picture, full in color and rich in detail, suited to close, quiet viewing and collecting.

Yourself

Display it in your study, on a workbench, tea table or in a personal collection space; amid busy days it reminds you not to be trapped by momentary gains and losses, to widen your view, steady your heart and face life in a clearer, more composed state.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopJixian
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Vairocana Buddha
Referencextk-055
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Vairocana Buddha Mini Thangka — Artwork Core Only · XTK-055