Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-042 — XTK-042:a1afbfa2150f5bb1af7f29c52ca63998b4d48150ed802afe7074bcb3acc2b4e4
The piece

Thangka Painting · Cotton canvas

Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-042

Catalogue preview · Not available for purchase

Four-Armed Avalokiteshvara · 4.0 × 5.0 cm · xtk-042

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopJixian
OriginRegong / Tongren County, Huangnan Prefecture
Figure Four-Armed Avalokiteshvara
Referencextk-042
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Note: Four-Armed Avalokiteshvara is a common Avalokiteshvara theme in Buddhist art; body color, mudras, implements, posture, crown and background details may differ across lineages and thangka works. The following focuses on thangka art, cultural meaning and gift blessings, and makes no claims of religious efficacy.

Key Selling Points

Four-Armed Avalokiteshvara theme, conveying a cultural mood of compassion and abiding calm

Four-Armed Avalokiteshvara sits serenely on a lotus, often bringing to mind a spirit of compassion, tolerance, listening and inner calm, adding a gentle, tranquil atmosphere to a space.

Hands joined at the heart, a dignified and tranquil posture

The joined front hands form a simple, dignified pose, giving the figure a visual feeling of focus, reverence and sincerity, and keeping a peaceful, stable center amid the intricate patterns.

Rosary and lotus reflecting each other, rich and elegant detail

The upper hands hold a rosary and a lotus; the round beads and graceful flowering branch reflect the figure's necklaces and garments, adding an artistic charm of purity, focus and gentle wishes.

A white figure against a gold-red halo, fresh and dignified

The lustrous white body stands out brightly against golden yellow, orange-red and vermilion, and with a deep blue hem, emerald green landscape and pink-white flowers, the overall colors are rich and lively, the subject striking yet soft.

Flowers, clouds, landscape and waves unfolding in layers, details worth viewing up close

Cultural Meaning

The artistic image of Four-Armed Avalokiteshvara can often be understood as a visual expression of compassionate care, gentle tolerance and resting in the present. The joined palms, blooming lotus and round rosary not only form a rich, orderly language of form, but also bring to mind keeping goodwill, patience and inner clarity amid a busy daily life.

The pace of life is sometimes too fast, and emotions and pressure may make us overlook our own feelings. The figure sits steadily on the lotus seat with a full, bright wheel of light behind him, and the flowers, landscape and waves around unfold in order, as if reminding us that there is no need to rush to answer every disturbance; we can first let the heart slow down, and re-sort the people and things before us with a gentle attitude that still keeps its boundaries.

The blessing this mini thangka conveys is the wish that, amid busyness and change, one can still keep some quiet, understanding and composure; may you hold goodwill and also know how to care for yourself, slowly walking toward a brighter, steadier life in every encounter, choice and step forward.

May kindness always remain and warmth be in all you meet;

may your lotus mind be clear and your steps free and at ease;

may merit and wisdom follow you and the years be composed and bright.

Suitable For

People hoping for a more settled, composed life

Carrying blessings of a peaceful mind, smooth days and warmth at their side, suited to family and friends who value quality of life and spiritual comfort.

Friends caught up in busyness or pressure

With a gentle gift of cultural charm, expressing care and companionship; may they settle their emotions and find their own pace amid a busy rhythm.

Family and friends moving house, starting a new job or a new stage

Whether decorating a new home, beginning a new post or setting out on a study plan, it carries good wishes for an open mind, a stable life and wishes gradually fulfilled.

Collectors who love the Avalokiteshvara theme and thangka painting

Four-Armed Avalokiteshvara, the prayer mudra, rosary and lotus, full halo and floral and landscape patterns form a vivid composition, rich in color and detail, suited to close appreciation and collecting.

Yourself

Display it in your study, on a tea table, workbench or in a personal collection space; amid busy days it reminds you to slow your thoughts, keep goodwill and face life in a steadier, clearer state.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopJixian
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Four-Armed Avalokiteshvara
Referencextk-042
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-042