Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-037 — XTK-037:d1154226848e6699de6efced73409e8fc174324fe263da13226cab2690b578b6
The piece

Thangka Painting · Cotton canvas

Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-037

Catalogue preview · Not available for purchase

Four-Armed Avalokiteshvara · 4.0 × 5.0 cm · xtk-037

The piece

Size 4.0 × 5.0 cm
MaterialCotton canvas
Artist / workshopXiuba
OriginRegong / Tongren County, Huangnan Prefecture
Figure Four-Armed Avalokiteshvara
Referencextk-037
One of oneYes

The work

Artwork core only. Any frame or case shown in the photograph is for presentation and is not included.

About this work

Note: Four-Armed Avalokiteshvara is a common Avalokiteshvara theme in Buddhist art; body color, face, mudras, implements, posture, crown and background details may differ across lineages and thangka works. The following focuses on thangka art, cultural meaning and gift blessings, and makes no claims of religious efficacy.

Key Selling Points

Four-Armed Avalokiteshvara theme, carrying wishes of compassionate care and inner peace

The artistic image of Four-Armed Avalokiteshvara often brings to mind goodwill, understanding, gentleness and protection, fitting for good hopes that family and friends be safe, have smooth days, settled minds and warm relationships.

Palms joined before the chest, conveying a sincere, humble and warm posture

The front hands are joined at the heart, upright and peaceful; amid the fine, ornate background they form a stable, clear visual center, conveying a cultural charm of respect, gratitude and sincere dealings with others.

Accompanied by lotus and rosary motifs, assurance within gentleness

The lotus and rosary motifs in the rear hands give the picture, beyond its gentle elegance, the visual meanings of purity, self-reflection, focus and continual accumulation, reminding us to treat others with goodwill and settle ourselves with patience.

A light-colored figure against gold, red, blue and green, bright, elegant and worth close viewing

The warm light-colored body, golden crown, orange-red garment folds, emerald green halo and lake-blue skirt set each other off; the warm-cool colors are vivid yet harmonious, highlighting the figure's kind, dignified character and giving the tiny picture full, bright layers.

Clouds, lotuses, flowers and leaves unfolding in layers, fine and rich traditional ornament

From the crown jewels, necklaces, garment folds and ribbons to the round halo, pink-white lotuses, blue-gray clouds, flowers, leaves and lotus-seat patterns, the details are intricate yet orderly, suited to close appreciation of the subtle decorative beauty of thangka painting.

Cultural Meaning

The artistic image of Four-Armed Avalokiteshvara can often be understood as a visual expression of compassion, understanding and gentle firmness. The figure sits on a lotus, front hands joined, rear hands holding a lotus and rosary; each of the four arms has its own gesture yet all are in harmony, as if reminding us: true care is both consideration and kindness toward others and patient tending of one's own emotions and rhythm of life.

The lotus is often seen as an artistic image of purity, resilience and beauty; the rosary motif adds a layer of focus, settling and self-organization to the picture. Many warm changes in life come not from grand gestures, but from a word of understanding, a moment of listening, a promise kept, and the choice to stay kind even when busy.

May kindness always remain and warmth be in all you meet;

may your lotus heart be pure and your thoughts clear and peaceful;

may your steps be gentle and the years composed and abundant.

Suitable For

Family, a partner or close friends

Carrying wishes for mutual understanding, warm companionship and peaceful days; may they feel cared for and cherished in every ordinary day.

Friends going through busyness, pressure or emotional ups and downs

Expressing gentle, unhurried, non-judging care; may they slowly sort out their feelings amid a hectic daily life and keep their own quiet and strength.

Elders who value traditional culture and good wishes

The Four-Armed Avalokiteshvara theme is dignified yet approachable, and the lotus, rosary, halo and cloud patterns are fine and rich, suited to conveying respect, blessings and a sincere hope for a harmonious life.

Collectors who love the Four-Armed Avalokiteshvara theme and thangka painting

Yourself

Display it in your study, tea room, reading corner, on your workbench or in a personal collection space, adding a gentle, calm visual companion to daily life and reminding you that, while caring for others, you should also be kind to your heart and settle yourself.

Display and Care Suggestions

Keep the environment dry and clean, away from damp.

Keep it away from grease, perfume, cleaners and other chemicals.

Display, store and enjoy it in a tidy, respectful way.

Size 4.0 × 5.0 cm
Included accessoriesNone
FramingUnmounted — artwork core only; frame/case not included
MaterialCotton canvas
Artist / workshopXiuba
Art traditionRegong school
OriginRegong / Tongren County, Huangnan Prefecture
Figure Four-Armed Avalokiteshvara
Referencextk-037
One of oneYes

A note on what this is

We present these objects as works of art and describe their subjects and craftsmanship. We make no claim that ownership will change your circumstances.

General craft background

Notes on Color Thangka Craftsmanship

Color thangka uses natural mineral coloring as its core visual language. On a smooth, finely prepared cotton ground, the painter sketches and outlines the figures according to iconographic rules, then applies color layer by layer using mineral pigments such as cinnabar, realgar, malachite green, azurite blue, conch-shell white, red ochre and yellow ochre, together with small amounts of plant-based color.

During painting, the pigments are ground, settled and mixed with binder, then blended with animal glue and applied in thin washes. Through repeated glazing from light to dark, the painter renders the texture of the deity's body, the folds of garments, lotus patterns, rocks and clouds, and background ornament, so the colors are full and vivid while keeping fine, translucent layers.

Mineral pigments commonly used in color thangka include:

  • Cinnabar: for robes, lotuses, flame patterns and red ornament
  • Realgar: for the warm yellow of the deity's body, crowns and local patterns
  • Malachite / mineral green: for lotus leaves, landscapes, garments and blue-green ornament
  • Lapis lazuli / azurite blue: for the sky, background, garment folds and blue details
  • Conch-shell white: for highlighting the body, cloud patterns, pearls and facial details
  • Red ochre, yellow ochre: for rocks, ground, skin-tone transitions and warm layers
  • Carbon black: for outlines, hair, shadows and contour details

After the main coloring is done, the painter outlines contours, garment folds and patterns with a fine brush, and uses gold leaf, gold powder or mud gold in places such as the halo, crown, ritual implements, garment edges and important motifs to paint details, adding dignity and opulent layers to the work.

Traditional materials palette (general reference)

This palette is general background and does not confirm that every listed material is present in this individual work.

Canvas: cotton; pigments: gold leaf, silver leaf, gold powder, silver powder, mud gold, mud silver, coarse gold, fine gold, deep gold, light gold, red gold, blue gold, 98 gold, 74 gold, cinnabar, vermilion, realgar, orpiment, red ochre, yellow ochre, stone yellow, malachite green (malachite), azurite blue (azurite), lapis lazuli, ultramarine, stone purple, amethyst powder, lime white, lead white, conch-shell white, mica powder, carbon black, pine-soot ink, mineral carbon black, indigo, earth green, mineral red, mineral brown.

General condition and aftercare guidance

Condition, Imperfections and Free Replacement Policy

Subtle differences in brushwork, the natural graininess of mineral pigments, changes in the luster of the gold under different lighting, and the slight texture of the canvas and mounting materials are all normal features of a traditional hand-painted thangka, not quality problems.

Because every thangka is hand-painted, no two works are exactly alike. Slight color differences or variations in local brushwork or pattern details caused by photographic lighting, screen display and the properties of natural materials are within the normal range.

If the work you receive has any of the following, we will replace it with a new one free of charge:

Obvious creases, damage or stains on the painting;

Damage to the canvas, paint layer or mounting that affects the overall display;

Obvious and substantial differences in color, material or craftsmanship between the item and the displayed sample;

The main image, size or core craftsmanship seriously does not match the order.

We carefully inspect every work before shipping and only send it once we have confirmed that the painting, materials, mounting and packaging are in good condition, doing our best to ensure the work you receive is complete, beautiful, and meets display and collecting standards.

Ask about this piece

Four-Armed Avalokiteshvara Mini Thangka — Artwork Core Only · XTK-037